鬼屋

简介：　　肤白貌美的富家小姐从昏迷中醒来，竟然发现自己被囚禁在一间昏暗的密室里，一场非比寻常的“捆绑”游戏就此展开。性感妖娆的小蜜、高冷忧郁的男神、成功多金的情场老手、才华横溢的美女作家……看似不相关的人通通卷入其中，但随着推演的步步深入，罪案越发扑朔迷离，欲利爱恨、伦理道德纠缠胶着在一条看不到边际的死路上，所有人都没有料到，幕后黑手竟然会是…

简介：青春少女玛丽（Cécile De France 饰）和爱莉西娅（Maïwenn Le Besco 饰）是同在法国巴黎一所大学就读的好朋友。某个周末，两人驱车前往爱莉西娅家位于乡下的农场度假。适值深夜，万籁俱寂，玛丽寂寞难耐正在自我宣泄之时，一个不速之客突然闯入。他残忍杀害了爱莉西娅的父母和年幼的弟弟，并将其掳去。为了营救好友，玛丽悄悄钻进凶手的卡车。途经一个加油站，她换上同样惨遭杀害的店员的车继续跟踪，却被狡猾的凶手发现行迹。一场近乎迷幻的猫鼠杀戮游戏旋即进入高潮……　　本片荣获2003年Sitges – Catalonian国际电影节最佳女主角（Cécile De France）、最佳导演、最佳化装和欧洲奇幻电影大奖银奖。

简介：提米，机智的男孩，他阅读的题材将救他一命。　　安迪，他的命还操纵在于是否能看得懂三千年前的古文；霍斯福对于个人能力过于自负，终将自食恶果；普利斯顿及克罗拉，他们的幸福婚姻将因普利斯顿毁了十年前答允的誓言而将告结束；这部电影融合紧张与恐怖，是真是幻似是而非的感觉，随之而来将扭曲你的意识并逆入一个新的境界 。

简介：故事的背景设定在1958年，一对刚刚成为孤儿的两姐妹被安置到她们的姑妈露丝家。露丝有慢性精神病，她认为女孩们应该被严格教育，于是对她们进行了可怕的虐待，露丝甚至还鼓励自己的三个儿子一起参与这种虐待行为。12岁邻家小男孩，是露丝儿子们的好朋友，他无意中目睹了他们对女孩的虐待，对此十分反感，于是决定揭露可怕的事实，但是他不知道怎么才能让大人们相信他所说的话……

简介：　　志愿成为摄影师的泉泽月子（中村麻美 饰）3年曾遭遇一场车祸，在此之后她便患上失眠症，并且无法回忆起车祸之前发生的事。为了摆脱困扰，月子向精神科医生細野辰子（洞口依子 饰）求助。通过催眠疗法，月子无意识说出了“富江”这个名字。不久，刑警原田省二（田口トモロヲ 饰）拜访细野，因为他正在调查的神秘女子富江（菅野美穂 饰）与细野和月子都有着千丝万缕的关系。与此同时，月子公寓的楼下搬来一个行踪诡秘的男子，与他同来的还有一颗具有生命并且持续生长的头颅。月子尘封的噩梦渐渐被揭开……
　　本片根据日本著名恐怖漫画家伊藤润二的同名系列漫画改编。

简介：

作家卡洛斯?卡拉斯特长久以来一直专注于美国著名小说家欧内斯特·海明威的研究工作，其中海明威在巴西那段时间的经历扑朔迷离，令他焦灼不安，甚至忘记了自己的生日。此后不久，他走访相熟的旧书店，从自称店主人朋友的陌生人手中接到了一份破旧的手稿。初步调查发现，这个用西班牙语写成的手稿《哈瓦那的黑暗》，极有可能是海明威亲笔所书。书中描写了某栋房子中曾发生过的凶残杀人案，令卡洛斯不得不与现实中的案件联系起来。在朋友约翰及其女友凯伦（Carolina Ravassa 饰）的鼓励下，三人启程前往古巴。 　　调查过程中，卡洛斯似乎离黑暗的真相越来越近，可是他也发现自己正被恐怖的存在引向毁灭……

简介：　　一对年轻夫妇搬进了他们的理想中的房子，但是幸福的二人世界很快被地下室里黑色的房间所打破。

简介：汉娜 middot;李 middot;贝克是一个明亮的十几岁的女孩被困在暴力和枪支，冰毒实验室和恶性骑自行车团伙，而其唯一的避难所是国际象棋的黑暗南方黑bbb。她与琥珀，她的姐姐，和她的叔叔唐尼，一个吸毒者。每个人都生活在恐惧之中叔叔弗兰克 middot;斯廷森，谁运行非法的家族企业以铁腕，他的精神病的弟弟鲍比辅助的。事情变坏时，琥珀爱上野生比尔，一个甲基毒贩谁发现自己在与弗兰克战争。汉娜认识到拯救她的家庭的唯一途径是通过巧妙策划坑一兵对抗另一个狡猾的棋局。

简介：Guerrero returns from the dead once more to protect a stolen relic from getting into the hands of a gang of soldiers, which will ultimately cause hell upon eart

简介：影片讲述了民国时期，川剧道具师陆墨山因在剧组替副导演背黑锅而入狱，出狱后乔装改扮，化名“孟上海”来到女儿的学校当道具师，原本只想默默的守护女儿，不曾想，女儿被学校里的其他几名学生联手害死，并且诬陷是陆墨山做的，再次出狱的陆墨山，恢复了“陆墨山”这个身份再次来到女儿曾经的 学校，对凶手们展开了报复。

简介：Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.　　“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.　　The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.

简介：　　Who really is Diabolik, the ruthless Italian comic book antihero? The final chapter of the Manetti Bros. adaptation sets out to find the answer.
　　Taking a leap in time to the 1970s, a period of unrest marked by the Vallanzasca and Magliana gangs, student protests and street killings. The story begins with car chases and machine gun shots that leave innocent victims dead on the street. It’s not Diabolik pulling the trigger, as he has his own code of ‘professional’ ethics and only kills when necessary. Instead, it’s a gang of criminals responsible for the bloodshed, wreaking havoc in the city with gratuitous and unscrupulous violence. Captured by the gang, Diabolik and his nemesis, Inspector Ginko, find themselves locked in a cell with no way out.